Many artists who are really good at digital painting have a background in traditional artwork. Digital offers a number of benefits to any artist. Chief among them is the ability to \"undo\" an errant stroke. But it also a few drawbacks; sometimes not being able to undo a \"happy accident\" can lead to an unexpected breakthrough, or at the very least can help you grow your skills.<\/p>\n\n\n\n
Daniel Ibanez<\/a> is an expert digital painter who uses Rebelle software<\/a>, the premier software for digital artists looking to create work that mimics traditional painting as closely as possible. It's unique engine recreates the intricacies of paint on canvas, and paint interacting with other paint \u2013 wetness, dripping, blending, and the like. It's calibrated for Wacom creative tablet technology; especially with Wacom Pro Pen 3 you can get the most precise digital input possible, getting as close to the true look and feel of traditional painting possible on a digital device. <\/p>\n\n\n\n Daniel wanted to put this to the test with the latest Wacom Cintiq pen display<\/a> and the latest Rebelle 8 software: what if he painted the same portrait traditionally, in oil paints on a canvas, and then digitally, in Rebelle on his Cintiq? How would the process differ, and how would the final outcomes compare? He put together a three-part video series to explore exactly this question. Those videos are below!<\/p>\n\n\n\n
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