
{"id":7717,"date":"2020-12-07T09:28:34","date_gmt":"2020-12-07T17:28:34","guid":{"rendered":"https:\/\/community.wacom.com\/en-us\/us\/?p=7717"},"modified":"2026-06-05T12:13:36","modified_gmt":"2026-06-05T19:13:36","slug":"i-watched-eighteen-hours-of-connected-ink-impressions-and-highlights","status":"publish","type":"post","link":"https:\/\/community.wacom.com\/en-us\/i-watched-eighteen-hours-of-connected-ink-impressions-and-highlights\/","title":{"rendered":"I watched eighteen hours of Connected Ink 2020: impressions and highlights"},"content":{"rendered":"<p style=\"text-align: center\"><strong>Header from Connected Ink's online art gallery.\u00a0 <\/strong>(It's just a static image, you can't scroll on it.)<\/p>\n\n\n<hr \/>\n\n&nbsp;\n\nOur promotional materials bill Connected Ink as an \u201cOpen Innovation Platform.\u201d While accurate, I\u2019d say that\u2019s underselling it. It\u2019s more of a multimedia convention: panels and lectures and promos, all focused around digital art and technology, with an art gallery to go with it. A Digital Art Basel, if you will.\n\nMuch like\u00a0<a href=\"https:\/\/community.wacom.com\/en-us\/us\/lightbox-2020-is-1-and-the-panels-will-be-archived-heres-what-to-watch\/\" target=\"_blank\" rel=\"noopener noreferrer\">Lightbox 2020<\/a>, it took the form of a series of both pre-recorded videos and live events streaming across a few platforms. It lasts an uninterrupted 24 hours: This year\u2019s was from December 17th at 8 PM JST\u2014or 6 AM EST, where I am\u2014to the same time December 18th. And as you might have guessed from the title, I made it through eighteen.\u00a0 (10 AM to 4 AM.)\n\nIt could be divided into two halves, western and Japanese. The western half, which was the first I caught, was a collaborative effort between Wacom America and Europe, conducted from the participants\u2019 homes and through prerecorded videos, via Youtube, Vimeo, and Zoom. The Japanese half was streamed live from a convention center In Shinjuku, Tokyo.\n\nOne feature I really appreciated was the countdown clocks to every event. Although I kept a\u00a0<a href=\"https:\/\/savvytime.com\/converter\/jst-to-est\" target=\"_blank\" rel=\"noopener noreferrer\">JST to EST converter<\/a>\u00a0open in another tab, I often forgot the JST time when I minimized it, so that feature was a lifesaver In fact, I hope every virtual con gets something like that. Physical cons could use them too, (although I understand they\u2019re hard to print on paper).\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7728\" src=\"https:\/\/community.wacom.com\/en-us\/us\/wp-content\/uploads\/sites\/40\/2020\/12\/12-50-AM-est.jpg\" alt=\"\" width=\"203\" height=\"62\" title=\"\"><\/p>\nLike any convention, it was hard to catch all of every panel I wanted to see, and I missed parts of things. But all of them except the first one are now on Wacom\u2019s two Youtube channels. <a href=\"https:\/\/www.youtube.com\/playlist?list=PL5JDtjDGWsw0yN03zayAxEEYRukK1aj7G\" target=\"_blank\" rel=\"noopener\">Here\u2019s the playlist for the first (Wacom America\/Japan's) half.<\/a>\n\n...But I\u2019m guessing you\u2019ll want to know\u00a0<span style=\"font-style: italic\">why\u00a0<\/span>you should watch them, not just where. So here are the notes I took during the event. Read on!\n<h1 style=\"text-align: center\">Highlights<\/h1>\n<h2 style=\"text-align: center\">Part 1<\/h2>\n<h4 style=\"text-align: center\">12 PM (2 AM JST) \u2014 One of Those Days<\/h4>\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7731\" src=\"https:\/\/community.wacom.com\/en-us\/us\/wp-content\/uploads\/sites\/40\/2020\/12\/devir-main1-1024x577.jpg\" alt=\"\" width=\"800\" height=\"451\" title=\"\" srcset=\"https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/devir-main1-1024x577.jpg 1024w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/devir-main1-300x169.jpg 300w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/devir-main1-768x432.jpg 768w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/devir-main1-1536x865.jpg 1536w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/devir-main1-1080x608.jpg 1080w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/devir-main1-1280x721.jpg 1280w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/devir-main1-980x552.jpg 980w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/devir-main1-480x270.jpg 480w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/devir-main1.jpg 1600w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p style=\"text-align: center\"><em>The Devirs with their comic counterparts<\/em><\/p>\nIf you follow webcomics or are active enough on social media, you\u2019ve probably seen Israeli couple Yehuda and Maya Devir\u2019s<span style=\"font-style: italic\">\u00a0One of Those Days<\/span>\u00a0somewhere. Their usually-wordless one-panel comics\u2014a format they say they settled on to speak to a worldwide audience\u2014aren\u2019t just the #relatable gags they might seem at first glance, but a journal of their entire course through cohabiting, marriage, having a kid, and starting a career.\n\nIn this energetic panel, they go into detail on that course and how the comic helped them through it, taking Yehuda from a struggling illustrator (I particularly enjoyed his complaints about people wanting him to work for exposure) to making a comfortable living due to the exposure he generated himself with the comic. This is the first panel to really reach out and grab me. Their passion for their work, the relationship that inspired it, and their fans, are obvious and infectious. Honorable mention to Maya for being the most excited storyteller I\u2019ve ever seen on a livestream.\n\nI can\u2019t find a video of this one, which is unfortunate for your first impression, but all the other ones have them.\u00a0 Here's <a href=\"https:\/\/youtu.be\/8JOh8nNaPeo\" target=\"_blank\" rel=\"noopener\">their TED talk from last year<\/a> if you want to see them in action, though, as well as <a href=\"https:\/\/www.youtube.com\/user\/yehudadevir\" target=\"_blank\" rel=\"noopener\">their Youtube channel<\/a>, which they update with impressive regularity.\n<h4 style=\"text-align: center\">1 PM (3 AM JST) \u2014 Creativity in Action<\/h4>\n<iframe title=\"Drink and Draw Berlin: Creativity in Action\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/abw4vwAs5Y0?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n\nThis one is a costumed life-drawing session brought to us by Wacom\u2019s partners at Drink and Draw Berlin (although in perfect English) and hosted, interestingly enough, on a houseboat.\n\nFor anyone who\u2019s never been to one, Drink &amp; Draws are a worldwide phenomenon, and are exactly what they sound like: People get together to drink while they draw. I\u2019ve been to many, but never seen one livestreamed before, so I didn\u2019t know what to expect. But this was an excellent one.\n\nIt takes a format that I\u2019m surprised I haven\u2019t seen from an art stream before: One artist draws from a model, then sits down with the host for an interview while the next artist works, sharing art advice and talking about life. For example, one of my favorite tips is from\u00a0<a href=\"https:\/\/www.instagram.com\/annabellekrs\/\" target=\"_blank\" rel=\"noopener noreferrer\">Annabelle Kraus<\/a>: Focus a lot of effort on the early stages of a drawing, because \u201cIf you base your drawing on a five minute sketch, you can render it out as much as you want, but it\u2019ll still look like a 5-minute sketch.\u201d\n\nFinally, I wanted to congratulate them on the video quality: they mentioned it took them seven hours to set up the livestream, and it shows. The lighting and production were on the level of a TV show. And although prerecorded, it had all the spontaneity and fun of a live show, and was still interactive to a degree\u2014the host participated in the chat bar, answering audience questions via messages.\n<h4 style=\"text-align: center\">2:30 PM (4:30 AM JST) \u2014 Cartoon Crunch<\/h4>\n<iframe title=\"Wacom Presents Connected Ink - Cartoon Crunch with Mike Morris\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/ZL4461ZPNf8?start=64&feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n\n<span style=\"font-weight: bold\">Backstory:<\/span>\u00a0Wacom hosted its first reality show this year. An online one, of course, filmed by the participants themselves, but still a massive undertaking that provided an excellent view into the animation process. As an aside, my favorite part was the technical behind-the-scenes: the work-in-progress frames, the breakdowns of all the backgrounds, the character turnarounds.\n\nHosted by show creator Mike Morris and Wacom\u2019s own Don Varga,\u00a0<span style=\"font-style: italic\">Cartoon Crunch\u00a0<\/span>separated eight animation students into two teams, then challenged them to produce a 45-second short, from rough concept all the way to final product\u2026 in one week.\n\n\u201cI\u2019ve never had to do this much work in such a small amount of time,\u201d says participant Kasey Uhter, who\u2019d never even used Toon Boom before this.\n\n\u201cIt feels like we\u2019ve been here for months,\u201d teammate Brittany Consuegra adds.\n\nBut brutal as the deadline was, Crunch pleasantly departed from the reality show formula in that it was a collaborative activity with the only race being against the clock, not a competitive one that encouraged drama. \u201cPitting people against each other was never supposed to be a part of Cartoon Crunch,\u201d says Morris. \u201cIt\u2019s about teamwork,\u201d agrees Varga.\n\nIt was spread out over five episodes, and this was the wrapup: Through clips, the panel takes us from how they workshopped their ideas and the feedback that was given to them, through to the animation process, culminating in the reveal of the finished shorts:\u00a0<span style=\"font-style: italic\">Witchy Business\u00a0<\/span>and\u00a0<span style=\"font-style: italic\">A Knight\u2019s Tail.<\/span>\n\nAs someone who\u2019d caught some of Cartoon Crunch but wasn\u2019t able to follow all of it, I feel like I\u2019m getting a great overview of the show, and the sheer amount of work that went into it, through this.\n<h4 style=\"text-align: center\">5:15 PM (7:15 AM JST) \u2014 Creating Cross-Platform Entertainment<\/h4>\n<iframe title=\"Wacom Presents Connected Ink - Gods of Mars\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/AlztbUtdcLY?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n\nThis nicely compact eleven-minute video goes into the making of\u00a0<a href=\"https:\/\/www.shootonline.com\/spw\/%E2%80%9Cgods-mars%E2%80%9D-becomes-first-feature-fully-embrace-virtual-production\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-style: italic\">Gods of Mars<\/span><\/a>, the first movie to use live actors against photorealistic CG backgrounds made with Unreal Engine. For those of you not familiar with Unreal\u2026 That\u2019s super not what it\u2019s meant for, which makes it even more impressive that they pulled it off. Unreal is an all-in-one games engine, used to make interactive environments and then have characters move through them. Animations made in it tend to be more along the lines of cutscenes\u2014there\u2019s an impressive community of people who make\u00a0<a href=\"https:\/\/youtu.be\/2gPfIVbfq2U\" target=\"_blank\" rel=\"noopener noreferrer\">realistic shorts with it<\/a>, which can be found on Youtube, and it\u2019s commonly used for architectural visualization, but it never would\u2019ve occurred to me that someone would make a full movie using it with live actors.\n\nAnd unlike most Unreal projects, the SFX weren\u2019t done with only digital assets. Creators\u00a0<a href=\"https:\/\/foncostudios.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Fonco Studios<\/a>\u00a0revived the tradition of kitbashing\u2014taking parts from different kit models, combining them with parts from others, and repainting them to create original vehicles and props\u2014a special-effects trick that goes all the way back to the beginning of sci-fi movies. They then scanned the miniatures into Unreal, animated them, and composited them with live-shot footage. The most exciting part, as they point out, is how these methods can make pro quality even more accessible to low-budget filmmakers. \u201cIf you have a computer, you have an Nvidia graphics card, and Unreal, you can make\u00a0<span style=\"font-style: italic\">Lawrence of Arabia\u00a0<\/span>in your dorm room.\u201d\n\nFinally, the crew talk about editing film with Wacom Tablets and DaVinci Resolve, a similar process to\u00a0<a href=\"https:\/\/community.wacom.com\/en-us\/us\/filmmaking-today-walks-you-through-video-editing-with-the-intuos-pro\/\" target=\"_blank\" rel=\"noopener noreferrer\">the one Filmmaking Today laid out in my last article<\/a>. \u201cIf I had to do everything in Photoshop on a mouse, it would be like digging a hole with a fork,\u201d says editor Robert Dias.\n<h4 style=\"text-align: center\">6:30 PM (8:30 AM JST) \u2014 Collaborative, Connected, &amp; Paperless Learning<\/h4>\n<iframe title=\"Wacom Presents Connected Ink - Collaborative, Connected, &amp; Paperless Learning with Stacey Roshan\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/YNNkN1Ni-yw?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n\nI\u2019ll have another article on this out later this week.\n\nThis panel\u2019s about online learning, aimed at teachers instead of artists. But despite the subject being outside my typical scope, presenter Stacy Roshan makes it interesting.\n\nRoshan is a high school math teacher and EdTech writer. She\u2019s always enjoyed online learning, saying it fits her deliberate and methodical style, and now she specializes in teaching teachers how to use it. She\u2019s been very busy with this during quarantine.\n\nLike Maya Devir, she\u2019s a dynamic speaker whose passion for her subjects shines through, and she walks through the use of Flipgrid, Peardeck, and Kami in much more detail than I could through that article. So if you decide to read it, make sure to follow it up with this.\n<h4 style=\"text-align: center\">7:30 PM (9:30 AM JST) \u2014 When Hollywood Went from Analog to Digital<\/h4>\n<iframe title=\"Wacom Presents Connected Ink - Gina DeDomenico - Going Digital\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/RqA5lpIA_cU?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n\nThis is my favorite panel to this point: Wacom\u2019s Melissa Ashcraft interviews costume design artist\u00a0<a href=\"https:\/\/www.imdb.com\/name\/nm0214128\/\" target=\"_blank\" rel=\"noopener noreferrer\">Gina DeDomenico-Flanagan<\/a>\u00a0about her recent work with the Amazon Prime show\u00a0<span style=\"font-style: italic\">The Boys<\/span>.\n\nDeDomenico\u2019s a pretty big deal in costuming: She\u2019s been at it since the early nineties, and her credits include\u00a0<span style=\"font-style: italic\">Escape from L.A., Amistad, The Nutty Professor, The Book of Eli, Looper,\u00a0<\/span>2014\u2019s\u00a0<span style=\"font-style: italic\">Godzilla, Lovecraft Country,\u00a0<\/span>and the best-picture-nominated\u00a0<span style=\"font-style: italic\">The Help.\u00a0<\/span>Other projects she\u2019s working on right now include Marvel shows and\u00a0<span style=\"font-style: italic\">Star Trek Picard<\/span>. But due to the panel\u2019s focal show, this panel ends up revolving around the specific intricacies of superhero costumes.\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7722\" src=\"https:\/\/community.wacom.com\/en-us\/us\/wp-content\/uploads\/sites\/40\/2020\/12\/The-Boys_3-810x524-1.jpg\" alt=\"\" width=\"700\" height=\"453\" title=\"\" srcset=\"https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/The-Boys_3-810x524-1.jpg 810w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/The-Boys_3-810x524-1-300x194.jpg 300w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/The-Boys_3-810x524-1-768x497.jpg 768w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/The-Boys_3-810x524-1-480x311.jpg 480w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\nShe walks us through how she modernized her process as well. She used to work entirely in traditional media on paper until fairly recently\u2014the last project she did with paint was in 2015, for Tarantino\u2019s\u00a0<span style=\"font-style: italic\">The Hateful Eight<\/span>\u2014but the moment she switched to digital, she realized both the amount of time it would save her and the potential for bonus creativity it unlocked. Costume work is a process of, as Ashcraft puts it, \u201cA whole lot of drawing and a whole lot of revising,\u201d creating variants, discarding variants, and redrawing parts until you get something the director likes.\n\n\u201cI can change a green costume to a blue costume in two seconds. In the old days, if the designer wanted to see a different color, it would take me at least a day to redraw the whole thing,\u201d she says. Now, she can also add textures and design multiple variants of a costume over the same maquette, letting her offer directors many more options.\n\nBut even the insights into how the industry worked back in the days when everything had to be done in person were still fascinating: Working in the studio\u2019s office, at the desk right next to the production designer; or on work-from-home days, going to FedEx office to scan paintings so she could email them, spending hours tweaking them over and over to get rid of the scanners\u2019 color distortion...\n\nAfter\u00a0<span style=\"font-style: italic\">Hateful Eight,\u00a0<\/span>she flew by the seat of her pants on digital projects, working at the top of her game, but picking up just enough Photoshop to do what was required for each job. \u201cI made it through because I had to,\u201d she says. So let that be a lesson to aspiring industry creatives who think they\u2019ll need absolute technical mastery of a program to get a job. Being willing to learn, and to demonstrate proficiency in multiple ones, is what ultimately landed her work. \u201cTake the time to learn Photoshop, Learn zBrush, learn all these programs,\u201d she urges. \u201cIf you know them, you will work. So if you have any downtime, learn.\u201d\n<h4 style=\"text-align: center\">8:30 PM (10:30 AM JST) \u2014 Finding Your Voice and Telling Your Stories<\/h4>\n<iframe title=\"Wacom Presents Connected Ink - Jorge Gutierrez - Finding your voice and telling your stories\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/_XH87mmTYhA?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n\nI wasn't sure what this panel, the final one from Wacom America, would be either, but I soon see why they saved it for last.\n\nJorge Gutierrez is an accomplished multimedia artist, most known for being a world-class animator who\u2019s been in the game for twenty years\u2014during which it sounds like he\u2019s experienced enough for three lifetimes.\n\nHe\u2019s also an astounding storyteller. Despite getting distracted from other panels (nothing personal, just a necessity if you\u2019re going to play audio over speakers for 18 hours while still having household tasks to do), every time my attention strayed from this one, he reached out and seized it back.\n\nBorn in Mexico City and raised in Tijuana just blocks from the border, he was the child of two artists and inherited their ways. Although he lacked the privilege that allowed many future famous artists to get a head start in their craft, his resourcefulness and his passion for Mexican culture formed the foundation of a successful career. He summarizes his philosophy as, \u201cI\u2019m going to go into my past and go into myself\u2014a lot of these memories are painful, but I\u2019ll let them be the dirt where I can plant these stories.\u201d\n\nWhere he truly hooks me is the magical story of how he got into CalArts by accident: After having the drawings he did of American cartoon characters\u2014what he thought would get him a job\u2014shot down hard, he accidentally left his painting portfolio, containing his personal works, out on the table. \u201cYou will not draw the things you think people want to see!\u201d said the portfolio reviewer, the venerable\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Jules_Engel\" target=\"_blank\" rel=\"noopener noreferrer\">Jules Engel<\/a>, almost 90 at the time. \u201cYou will draw the things that come out of you\u2014that you feel!\u201d\n\nHe struggled mightily through the next decade, working all sorts of jobs at studios around Hollywood, being hired and fired, and even having his pitches dismissed on the basis of race. (The early aughts were an awful time.) But he always made lemonade somehow. Especially amazing is his story of being laid off after 9\/11 when Sony shut its entire animation division, then immediately starting his own studio by taking some of the computers and scanners they abandoned and wheeling them out in shopping carts.\n\nBut the funniest one by a mile was his disastrous, unprepared pitch to Guillermo del Toro to produce\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Book_of_Life_(2014_film)\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-style: italic\">The Book of Life<\/span><\/a>, where he left his concept art in the car and handed in a script he\u2019d spilled tequila on. Del Toro dismissed it as the \u201cworst pitch he\u2019d ever seen.\u201d ...Only to reveal he was a longtime fan of Gutierrez\u2019s TV series\u00a0<span style=\"font-style: italic\">El Tigre<\/span>\u00a0and enthusiastically accept.\n\nHe wraps up by talking about his Mexican street art parodies of pop culture figures, then discussing (to the limited extent he\u2019s allowed) his upcoming fantasy epic for Netflix, <a href=\"https:\/\/www.imdb.com\/title\/tt8787772\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-style: italic\">Maya and the Three<\/span><\/a>.\n\nA Q&amp;A session with Wacom\u2019s Elizabeth Garcia brings about his final and most inspiring story: his dad\u2019s speech about being your best self, which he called a \u201csuper-macho.\u201d (And it isn\u2019t what you\u2019re probably thinking. Find out yourself.)\n\nSome of these panels can be summarized well enough in text, but if you only choose one to actually watch, let it be this.\n\nSeriously, watch this one.\n<h2 style=\"text-align: center\">Part 2<\/h2>\nIt\u2019s night in the US now, so this is where the English portion of the stream ends. In the words of Ghostface, \u201cIt\u2019s Japan\u2019s turn now, the Earth has spun around.\u201d\n\n<a href=\"https:\/\/www.youtube.com\/channel\/UCfdaFoOe6NDALfoqRe9Ye9A\/videos\" target=\"_blank\" rel=\"noopener\"><strong>Here\u2019s the channel for Japan's half, containing all the videos below and many more.<\/strong><\/a>\n<h4 style=\"text-align: center\">11 PM (1 PM JST) \u2014 Why Connected Ink?<\/h4>\n<iframe title=\"Keynote Connected Ink 2020: &quot;Why Connected Ink?&quot;\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/KoyWJ4DIY5o?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n\nKicking off this portion of the night is an address by Nobutaka Ide, the CEO of Wacom Japan, a figure who I\u2019ll admit I\u2019m unfamiliar with. In sweatpants, a black tee, and (a detail I won\u2019t notice until a future panel) two scarves, he doesn\u2019t look very much like a CEO, but exactly like the CEO of an arts and tech company. His speech is soundtracked live by a piano player who\u2014as the translator puts it, \u201c[plays] the keys in this keynote,\u201d a pun I assume also works in Japanese.\n\nIde runs us through the history of Connected Ink, from its humble beginnings in Las Vegas (not where I would\u2019ve thought) where just twenty people attended and there was no online audience, to today, where it takes up a Tokyo convention center and is a multiplatform streaming event.\n\nConnected Ink\u2019s mission has changed, he says. Although it started out as a mere corporate event, \u201cThe event is moving toward a more fundamental thing for human beings,\u201d adds CELSYS\u2019s CEO in a video clip.\n\nThe company\u2019s objective as a whole has changed as well, he says. When he started, he was thinking about little more than just moving units\u2014but now, Wacom\u2019s mission has become what he sums up with the phrase \u201cDogu-ya,\u201d roughly meaning \u201cTool-seller.\u201d Looking it up,\u00a0<span style=\"font-style: italic\">dogu\u00a0<\/span>is a term that doesn\u2019t quite translate to one English word, meaning \u201cinstruments of the way.\u201d Maybe a translation of the meaning in context would be \u201cchanneling device,\u201d since as Ide continues, this new Wacom\u2019s goal is to create a whole medium for art to flow through, not just plastic peripherals. \u201cWe support the experience of writing and drawing: That is our mission.\u201d\n\nThis is a theme that will run through the entire Japanese half: The most striking difference between the two is that where Wacom America\u2019s presentations are focused on use cases for tablets, Wacom Japan\u2019s are focused on big spiritual visions and philosophies.\n\nIde describes the company\u2019s growth with liquid metaphors\u2014at one point, a wave washing over everyone involved in it; at another point, a self-perpetuating whirlpool, drawing us all into what he calls \u201ccreative chaos,\u201d powered by the participants\u2019\u00a0<span style=\"font-style: italic\">kotodama<\/span>\u2014a term later defined as \u201ca vibrational energy implemented with someone\u2019s soul.\u201d\n\n\u201cI hope we can all embrace creative chaos together,\u201d he concludes.\n<h1 style=\"text-align: center\">Honorable Mentions<\/h1>\n<h4 style=\"text-align: center\">11:30 PM (1:30 PM JST) \u2014Live Experience Zone II<\/h4>\n<iframe title=\"Connected Ink 2020 Tour: Live Experience zone Part2\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/9lE7ly4LpCw?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n\nNext up, a demonstration of the\u00a0<a href=\"https:\/\/mui.jp\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">mui<\/a>.\n\nThe what? Glad you asked. I admittedly had trouble following this portion due to a volume conflict between the host\u2019s microphone and the translator\u2019s, so it took some digging into to find out, myself.\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7741\" src=\"https:\/\/community.wacom.com\/en-us\/us\/wp-content\/uploads\/sites\/40\/2020\/12\/menu_explain.002_en1-1024x341.jpeg\" alt=\"\" width=\"800\" height=\"267\" title=\"\" srcset=\"https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/menu_explain.002_en1-1024x341.jpeg 1024w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/menu_explain.002_en1-300x100.jpeg 300w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/menu_explain.002_en1-768x256.jpeg 768w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/menu_explain.002_en1-1536x512.jpeg 1536w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/menu_explain.002_en1-1080x360.jpeg 1080w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/menu_explain.002_en1-1280x427.jpeg 1280w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/menu_explain.002_en1-980x327.jpeg 980w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/menu_explain.002_en1-480x160.jpeg 480w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/menu_explain.002_en1.jpeg 1701w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p style=\"text-align: center\"><em>From <a href=\"https:\/\/mui.jp\/en\/\" target=\"_blank\" rel=\"noopener\">their website<\/a><\/em><\/p>\nThe <a href=\"https:\/\/mui.jp\/en\/\" target=\"_blank\" rel=\"noopener\">mui<\/a> (Japanese for \u201csilence,\u201d spelled in lowercase) is a smart hub built into a wooden board. It has an embedded touchscreen with a minimal interface of white LED lights that show through the wood\u2019s surface. It integrates with Google Assistant and various devices, can control smart appliances, tell you the weather, and remind you of events just like any other smart hub; and has voice recognition, although true to its name, it answers in writing. Created by a Kyoto startup of the same name, it\u2019s designed to be unobtrusive, fit in with minimalist design styles, and promote a calm atmosphere. It won\u2019t give you eye strain when you\u2019re using it, and won\u2019t make any noises to distract you when you\u2019re not.\n\nApparently, it also integrates Wacom Technology: In this demonstration, inventor Nobuyasu Hirobe shows how you can write on it with a stylus, and it\u2019ll digitize your handwriting and post the message online.\n\nBehind the table where the mui\u2019s being displayed, he\u2019s also worked with the design team KOPPA (who constructs all Wacom\u2019s expo furniture) to build a mysterious arch. It\u2019s shaped like a very simple house, but with a walkway through it, and there are multiple muis attached to it, as well as two LED screens. He calls it the Information Gateway.\n\nTapping one of the muis displays a message\u2014it\u2019s not translated, but from what I gleaned, it appears to be a comment from a Japanese Connected Ink viewer. \u201cThe emotions and the feelings of our online audience are to be collected into this hut,\u201d Hirobe explains.\n<h4 style=\"text-align: center\">1:30 AM (3:30 PM JST) How can we support kids' love for drawing, today and beyond?<\/h4>\n<iframe title=\"How we can support kids&#039; love for drawing, today and beyond?\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/hRMR4iS8mUs?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n\nFor this panel, Ide is joined by the president of CELSYS, makers of Clip Studio Paint, and the school superintendent of \u014ciso, Kanagawa.\n\nThis one also took a little after-the-fact research to piece together the full story, (although the audio was fine): \u014ciso is a distant exurb of the Tokyo-Yokohama metro, a small seaside town an hour and a half away from the convention. We embarked on a project to give a\u00a0<a href=\"https:\/\/www.wacom.com\/en-us\/products\/pen-displays\/wacom-one\" target=\"_blank\" rel=\"noopener noreferrer\">Wacom One<\/a>\u00a0and a copy of CELSYS\u2019s new \u201cClip Studio Junior*\u201d to every kid in the town high school, gauging the effects on the students\u2019 motivation and creativity. Apparently they loved it. \u201cWe have state of the art hardware and software, and children are quite positively shocked,\u201d says the superintendent.\n\n<sup>*I think this might be another name for <a href=\"https:\/\/www.clipstudio.net\/en\/function_debut\/\" target=\"_blank\" rel=\"noopener noreferrer\">Clip Studio Paint DEBUT<\/a>.<\/sup>\n\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7742\" src=\"https:\/\/community.wacom.com\/en-us\/us\/wp-content\/uploads\/sites\/40\/2020\/12\/How-we-can-support-kids-love-for-drawing-today-and-beyond_-15-42-screenshot-1024x576.png\" alt=\"\" width=\"700\" height=\"394\" title=\"\" srcset=\"https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/How-we-can-support-kids-love-for-drawing-today-and-beyond_-15-42-screenshot-1024x576.png 1024w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/How-we-can-support-kids-love-for-drawing-today-and-beyond_-15-42-screenshot-300x169.png 300w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/How-we-can-support-kids-love-for-drawing-today-and-beyond_-15-42-screenshot-768x432.png 768w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/How-we-can-support-kids-love-for-drawing-today-and-beyond_-15-42-screenshot-1536x864.png 1536w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/How-we-can-support-kids-love-for-drawing-today-and-beyond_-15-42-screenshot-1080x608.png 1080w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/How-we-can-support-kids-love-for-drawing-today-and-beyond_-15-42-screenshot-1280x720.png 1280w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/How-we-can-support-kids-love-for-drawing-today-and-beyond_-15-42-screenshot-980x551.png 980w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/How-we-can-support-kids-love-for-drawing-today-and-beyond_-15-42-screenshot-480x270.png 480w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2020\/12\/How-we-can-support-kids-love-for-drawing-today-and-beyond_-15-42-screenshot.png 1920w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/>\n\nCharmingly, they\u2019re joined via videochat by the mayor of \u014ciso and the principal of the school, standing in front of a class full of students whose faces are buried in their Ones. I can not talk to them because they\u2019re so concentrated they would not respond to me!\u201d says the mayor.\n\nCELSYS\u2019s CEO explains his motivation for participating: To give the kids the same opportunity he had to discover art that led him to his current position. \u201cI was not good at school, I was not fast at running, but I was good at drawing. Drawing and painting helped me get through my school years, and art made my life richer,\u201d he says. \u201cIf I had not met art, I do not think I would have been here.\u201d\n<p style=\"text-align: center\">\u2014<\/p>\nThis is the last panel I fully wrote up before tapping out a couple hours later, but much more of Wacom Japan\u2019s content can be seen on the playlist above. (Or,\u00a0<a href=\"https:\/\/www.youtube.com\/channel\/UCfdaFoOe6NDALfoqRe9Ye9A\/videos\" target=\"_blank\" rel=\"noopener noreferrer\">here, I\u2019ll link it again<\/a>.) There are music and dance performances, panels on anime and manga, panels on the everyday use of tablets, and even more, that I wasn\u2019t able to include.\n<p style=\"text-align: center\">\u2014<\/p>\n\n<h1 style=\"text-align: center\">Impressions<\/h1>\nDespite my working for Wacom, I feel my advice and recommendations aren\u2019t worth anything unless backed up by a certain amount of honesty. So in the interest of that, I\u2019ll say that Connected Ink isn\u2019t a perfect event, and the main area in which it could improve is accessibility. This is largely due to it being two cons on one\u2014and in some ways, four.\n\nConnected Ink is half art show, half trade show, and it might help to see more separation between the two.\n\nDue to the reader demographics of this blog (mostly artists), some of the other panels I watched but didn\u2019t write up were focused on super-specialized use cases: Like the one by professional handwriting analyst Niko Kalantzis on how to identify forgeries, or ones on digital rights management and medical record filing. Some of these were more interesting than they seemed (especially Kalantzis\u2019s) but they were meant for a very specific niche audience that could benefit from their own space and targeted promotions, so they know where to find it.\n\nThe con was already divided into three \u201cstages,\u201d one main stage for the headlining events and two side stages with multiple panels running at once: maybe one side stage could be exclusively for arts and entertainment panels and the other could be for technical and business-oriented panels, with different marketing efforts for each audience.\n\n<span style=\"font-weight: bold\">But:<\/span>\u00a0What Connected Ink\u00a0<span style=\"font-style: italic\">is<\/span>, is a collection of gems in the rough. As the panels I highlighted prove, it\u2019s much more than a mere corporate event. I empathize with Ide\u2019s vision and understand exactly what he\u2019s trying to do with the event: And if it stays on its current trajectory, it could grow into a major convention for both artists and people who use graphics devices for other, more unorthodox, purposes.\n\nIt might be imperfect, but it\u2019s\u00a0<span style=\"font-style: italic\">very\u00a0<\/span>worthwhile, and judging by how far it\u2019s come since that Las Vegas hotel, I think it\u2019ll only get better every year.\n<p style=\"text-align: center\">\u2014<\/p>\n\n<h3>About the Author<\/h3>\n<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1841 size-thumbnail alignleft\" src=\"https:\/\/community.wacom.com\/en-us\/us\/wp-content\/uploads\/sites\/40\/2019\/07\/CS_Jones_avatar-150x150.png\" alt=\"CS Jones\" width=\"150\" height=\"150\" title=\"\" srcset=\"https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2019\/07\/CS_Jones_avatar-150x150.png 150w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2019\/07\/CS_Jones_avatar-300x300.png 300w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2019\/07\/CS_Jones_avatar-480x482.png 480w, https:\/\/community.wacom.com\/en-us\/wp-content\/uploads\/sites\/40\/2019\/07\/CS_Jones_avatar.png 595w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\n\nCS Jones is a Greater-Philadelphia-based writer and illustrator, currently writing and illustrating a debut novel in between articles. You can see all of his work, including most of his contributions to this blog, at <a href=\"https:\/\/thecsjones.com\/writing\" target=\"_blank\" rel=\"noopener\">thecsjones.com<\/a>, or follow him at @thecsjones on\u00a0<a href=\"https:\/\/www.instagram.com\/thecsjones\/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram<\/a>\u00a0or\u00a0<a href=\"https:\/\/twitter.com\/thecsjones?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter<\/a>.","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":7735,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[2475,2318,2317,2358,2656],"tags":[912],"class_list":["post-7717","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-connected-ink","category-creative-inspiration","category-digital-drawing-painting","category-events","category-education","tag-connected-ink"],"_links":{"self":[{"href":"https:\/\/community.wacom.com\/en-us\/wp-json\/wp\/v2\/posts\/7717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/community.wacom.com\/en-us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/community.wacom.com\/en-us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/community.wacom.com\/en-us\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/community.wacom.com\/en-us\/wp-json\/wp\/v2\/comments?post=7717"}],"version-history":[{"count":0,"href":"https:\/\/community.wacom.com\/en-us\/wp-json\/wp\/v2\/posts\/7717\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/community.wacom.com\/en-us\/wp-json\/wp\/v2\/media\/7735"}],"wp:attachment":[{"href":"https:\/\/community.wacom.com\/en-us\/wp-json\/wp\/v2\/media?parent=7717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/community.wacom.com\/en-us\/wp-json\/wp\/v2\/categories?post=7717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/community.wacom.com\/en-us\/wp-json\/wp\/v2\/tags?post=7717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}