{"id":816900,"date":"2025-01-03T09:00:00","date_gmt":"2025-01-03T17:00:00","guid":{"rendered":"https:\/\/community.wacom.com\/en-us\/?p=816900"},"modified":"2024-12-20T12:26:50","modified_gmt":"2024-12-20T20:26:50","slug":"6-popular-illustration-trends-2024","status":"publish","type":"post","link":"https:\/\/community.wacom.com\/en-us\/6-popular-illustration-trends-2024\/","title":{"rendered":"6 Popular Illustration Trends of 2024"},"content":{"rendered":"\n

When it comes to creating artwork, we don\u2019t necessarily follow the trends, but it is undeniable that changing aesthetics may affect our taste and perspective especially when our style or technique is open to having innovations. <\/p>\n\n\n\n

In this article, I will present some illustration trends from 2024 that I found for you. These are some specialties that I observe are present in many artists\u2019 work, which add a certain quality to the images that are created by them. I should also mention that these are very subjective, and some illustrations that I use as an example in this article have multiple of these points at the same\u00a0time.<\/p>\n\n\n\n

It is important to mention in the beginning that, in 2024 we saw more\u00a0maximalism<\/a>\u00a0and diverse\u00a0character design<\/a>\u00a0in illustration than in previous years. In both commercial use and personal works, these two elements were the two leaders of the trends to watch out for. So when you\u2019re reading this article, remember that many of these examples also carry traces from these two design elements.<\/p>\n\n\n\n

Without further ado, I\u2019d like to introduce you to the first trend of my selections:<\/p>\n\n\n\n

Symmetrical Composition<\/h2>\n\n\n\n
\"2024
Courtesy of Kirill Kuzmenko<\/a> and Caro Mart\u00ednez<\/a><\/figcaption><\/figure>\n\n\n\n

Who doesn\u2019t like good symmetry? While adding a geometrical language to your designs, symmetry can also be used to create more maximalist images.<\/p>\n\n\n\n

\"2024
Courtesy of Dan Stein<\/a> and Stevie Shao<\/a><\/figcaption><\/figure>\n\n\n\n

Using bold and muted colors together, and creating colorful palettes, symmetrical composition will add a good quality to your artwork.<\/p>\n\n\n\n

You made a good design but it looks a bit empty? Try multiplying it and using its symmetrical twin in the same frame. You can also multiply it and rotate the copies and reverse the colors for a richness.<\/p>\n\n\n\n

Don\u2019t forget to add little geometric shapes or floral\/quirky decorations around, and voila! You have an illustration with a full and neat composition to look\u00a0at.<\/p>\n\n\n\n

Abstract Perspective<\/strong><\/h2>\n\n\n\n
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Courtesy of Jiaqi Wang<\/a> and Estudio Pum<\/a><\/figcaption><\/figure>\n\n\n\n

Perspective is not always so easy to nail while staying in your own style. But once you get the hang of it, It is always fun to extend the boundaries of your imagination and play with realistically impossible possibilities.

You probably have also noticed that, in recent years, a distorted perspectival game changer was introduced to the illustration scene with the use of really large feet and legs. Ok, maybe it wasn\u2019t really introduced in the recent years, but it has surely been really popular among many illustrators. Suddenly our Instagram feeds were filled with proportionately larger human body parts, and I don\u2019t know about you but I lived for it!<\/p>\n\n\n\n

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Courtesy of Mojo Wang<\/a> and Emans<\/a><\/figcaption><\/figure>\n\n\n\n

In 2024, things were changing even\u00a0more.<\/p>\n\n\n\n

If you\u2019re looking to try something new in your artwork, think about distorting not only the size and perspective of the body parts, but also of the objects and decorative elements that you are using in your illustrations. An object which seems to be far away can be larger than the object in the front, and vice versa. Try drawing floating objects, or eliminating perspective all together. What can you create when you delete the rules of reality? Or maybe the right question should be; what can\u2019t you?<\/p>\n\n\n\n

Limited Palette (vibrant and muted colors together)<\/strong><\/h2>\n\n\n\n
\"\"
Courtesy of Camila Rosa<\/a> and Gwen Keraval<\/a><\/figcaption><\/figure>\n\n\n\n

The colors we use when drawing an illustration is usually what makes or breaks it. Yes, I already mentioned maximalism, which basically means \u201cmore is more,\u201d but sometimes it\u2019s possible to say \u201cless is more\u201d color-wise, and still maintain a maximalist look. In my opinion, this creates an elevated look on illustrations and makes them really nice to look\u00a0at.<\/p>\n\n\n\n

\"\"
Courtesy of Clara Super Duper<\/a> and Kento IIDA<\/a><\/figcaption><\/figure>\n\n\n\n

As you can see in these examples, you can challenge yourself by limiting your palette up to 5 or 6 colors (preferably even less than that) and try painting your illustration that way. Use colors that you wouldn\u2019t normally think of using for skins or other objects, and try to avoid using the same color for elements that are next to each other. Why not have green, blue or purple skins and a yellow sky? Just get creative and see where it takes your artwork!<\/p>\n\n\n\n

3D \/ 3D Looking Elements<\/strong><\/h2>\n\n\n\n
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Courtesy of Lisa Odette<\/a> and WOAO 3D<\/a><\/figcaption><\/figure>\n\n\n\n

3D illustrations have definitely been on the rise as of lately. As the softwares and technical tools are getting more accessible and user friendly, more and more illustrators are creating their own 3D designs with their already existing style.<\/p>\n\n\n\n

\"\"
Courtesy of Lisa Odette<\/a> and Anastasiia Sharandina<\/a><\/figcaption><\/figure>\n\n\n\n

3D design has been a dominant theme in personal portfolios of many digital artists but we also see it in music videos, corporate identities or commercial usage of other kinds. It is not only pleasant to look at, but also it is fun to create something of your own that exists in a virtual space!<\/p>\n\n\n\n

Moreover, with the rise of online lectures that you can find on many platforms such as SkillShare, it is now easier to learn 3D design.<\/p>\n\n\n\n

\"\"
Courtesy of Mojo Wang<\/a><\/figcaption><\/figure>\n\n\n\n

But there is a second way to use 3D elements as part of your design. You can just use your painting and shading skills to create 3D-looking elements in your drawings.<\/p>\n\n\n\n

\"\"
Courtesy of Chen Wu<\/a><\/figcaption><\/figure>\n\n\n\n

In 2024, we will be seeing more of these examples, as the trend is gaining acceleration. These examples I\u2019m showing here are not all in the same style of aesthetics if you ask me, but from the point of 3D usage, they can be considered in similar categories.<\/p>\n\n\n\n

If you want to turn some elements in your illustrations into 3D-look, I would suggest using airbrush type brushes and practicing your light and shading skills for it. You got this!<\/p>\n\n\n\n

Texture<\/h2>\n\n\n\n
\"\"
Courtesy of Maria Fedoseeva<\/a> and Uran Duo<\/a><\/figcaption><\/figure>\n\n\n\n

If you\u2019re an illustrator, you know that small changes make big differences! Especially when it comes to adding fun details on our illustrations such as textures.<\/p>\n\n\n\n

Textured brushes give illustrations a more hand-painted\/traditional artwork look, and on digital drawing it can be a game changer even when you make very subtle\u00a0touches.<\/p>\n\n\n\n

\"\"
Courtesy of Lili des Bellons<\/a> and Kezia Gabriella<\/a><\/figcaption><\/figure>\n\n\n\n

If you want to get good at using textures, you can try by using a textured liner brush for your outlines. Then you can maybe add just some slight textures on your backgrounds or on some parts of your characters\u2019 clothes.<\/p>\n\n\n\n

Remember that you wouldn\u2019t want to make the textures overpower the whole illustration, so try playing with the transparency and the modes of your texture layer. But in the end, if you want to make your drawings all about textures, why not? It is your artwork, you can do whatever you\u00a0want!<\/p>\n\n\n\n

Negative Space<\/h2>\n\n\n\n
\"\"
Courtesy of Sarah Cliff<\/a> and Yandex and Knife Studio<\/a><\/figcaption><\/figure>\n\n\n\n

When I was a small child and drawing just for fun, I used to have this pressure of \u201cnot leaving any empty space\u201d in my drawings, because that\u2019s what the art teachers in school used to say. That always had a mood-killer effect on me, and I didn\u2019t enjoy filling out a paper just because I had to.<\/p>\n\n\n\n

Now that I draw as a way to make a living, I\u2019m understanding that the use of negative space also has a value in art. The trick is knowing how to use it and understanding the balance and proportions of your composition.<\/p>\n\n\n\n

\"\"
Courtesy of \u4e01\u51e0 huangding<\/a> and Jungmin Studio<\/a><\/figcaption><\/figure>\n\n\n\n

As you can see in these images, even though they have different styles, they are still examples of good use of negative space. In 2024, you may want to master your skills of negative space usage, because it is getting widely common in commercial use.<\/p>\n\n\n\n

You can not only design posters or editorial pieces this way, but you can also turn your drawings into stickers. Moreover, the more you master this skill, the more you can learn to combine it with maximalism and find balance in your\u00a0illustrations.<\/p>\n\n\n\n

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According to the Oxford Dictionary, a trend is \u201ca general direction in which something is developing or changing.\u201d So these trends I\u2019ve talked about in this article are not rules set in stone, but just some opportunities to elevate your artwork, if you\u2019re looking for some inspiration.<\/p>\n\n\n\n

And if you are now feeling inspired and looking for some digital tools to create more artwork, why not check out Wacom's\u00a0pen tablets<\/a>\u00a0and\u00a0pen displays<\/a>\u00a0that make life easier for illustrators? Wacom offers many options with the best pen technology, so the only thing left for you is to practice and start creating.<\/p>\n\n\n\n

Hopefully 2025 will be another great year for\u00a0illustration!<\/p>\n\n\n\n

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\"zeynep<\/figure>\n<\/div>\n\n\n\n
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About the\u00a0author:<\/h3>\n\n\n\n

Zeynep Alpay is a freelance multidisciplinary artist and illustrator based in K\u00f6ln, Germany. Their work encompasses illustrations, animations, paper cut-outs, and traditional artwork.<\/p>\n\n\n\n

For more information or to see more of Zeynep\u2019s works, check out their portfolio<\/a>, their Instagram<\/a>, or their Linkedin<\/a>.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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