As filmmaking evolves, the way creators use Wacom products continues to evolve too. For years – decades even – Wacom devices have been used in pre-production for concept art, storyboarding, animation, and 3D modeling, as well as in post-production for editing, VFX, and more.
The way films and TV shows are made in the modern day have changed dramatically. Not only has the workflow changed to a cyclical one, but the technology used behind the scenes on set has also transformed. This can be seen especially in the world of virtual production, where more and more decisions for lighting, contrast, and other changes are now being made on-set in real-time by directors and cinematographers.
Wacom is excited to partner with creators who are pushing the boundaries and using our products in ways they’ve never been used before. One of those partners is Dane Brehm, a Production Technologist at Cintegral Tech, and an ICG Digital Imaging Technician (DIT) who has been experimenting with using a Wacom Cintiq Pro on-set as part of a DIT cart setup.
He’s known for working on projects like Marvel’s Wandavision on Disney+, Amazon Prime’s Hunters, James Cameron’s Avatar 3, and Three Billboards Outside Ebbing, Missouri.
Wacom Cintiq Pro 16 for DITs
The DIT role is a specific but integral one to the moviemaking process; they advise the Director of Photography (DP) during the lighting process to maintain the creative look of a given scene or lighting environment.
On-set, DITs rely on the technology on their DIT cart to keep things running smoothly – with each cart having things like a computer, monitors, data management tools, and battery backup. Dane describes the DIT cart as the “central hub of decision-making” for the DP, allowing them to make their Shoot Day.
DIT using Pomfort Livegrade on a Cintiq Pro 16 on-set
The Cinematographer tasks the DIT with maintaining, cataloging, and shepherding the show’s onset image pipeline. This allows for the Dailies Lab to deliver the well-crafted look of the show to Editorial and VFX to watch for months, if not years, as they polish, add effects, and move the footage toward the final product that end-users will watch at home or on the big screen.
Traditionally, DITs “thrive or die” by color-critical monitoring for their DPs, which costs upwards of $15K-65K for proper HD/4K OLED HDR monitoring. For their Livegrade or Dailies creation they integrate a 2nd or 3rd IPS style GUI Monitor dedicated to monitoring Color Wheels, GUIs, CDLs or Scopes like Waveforms, RGB Parades, and FalseColor to judge exposure with repeatable results.
These GUIs, which are 13-15”, often lack professional color critical image quality, touchscreen feedback, and smart accessories like you’ll find on a Cintiq Pro — all of which increase ergonomics and enhance task speed.
DIT cart on-set at Orbital Virtual Studios
When using the Cintiq Pro 16 as an alternative, Dane described the workflow as allowing for “more efficiency of movement when completing color tasks – which is an important aspect of workflow as a DIT. Typically they have a short window of time to tweak things between each lighting setup to accomplish the ‘look’ when minutes count in helping the DP make their day.”
What makes a Wacom Cintiq Pro 16 a great fit for use on-set on a DIT cart? The device’s slim footprint and tactileness makes it a perfect fit when space is at a premium. At a compact 16” size, it also provides a tangible feel that’s fun and intuitive to use. A DIT can use the Pro Pen 2 to highlight and select areas for the Director of Photography to give feedback on or to move the Color wheels during the lighting process.
“The Cintiq Pro fulfills the needs for DIT Professionals because it allows the user to accomplish multiple tasks like Livegrading – we use Pomfort Livegrade Studio, Camera Control, Data Management, touch surfaces, and most importantly the Pro Pen,” adds Dane.
Close-up of DIT cart technology, including Wacom Cintiq Pro 16
During our technology showcase at Orbital Virtual Studios in October, Dane detailed the on-set value of the Wacom Cintiq Pro as, “I have two minutes with a Director or Cinematographer…to find out yes, no, maybe – do you like this? Is it too bright? With a Wacom screen, I’m able to, in a quick motion, create and save a look, name it, and then push that along and save it, and move to the next shot.”
The DIT role contributes hugely to this step of the filmmaking process – getting opinions from the people that matter and letting people get out the door for the day.
Dane Brehm speaking at Wacom’s Technology Showcase at Orbital Virtual Studios
At Wacom, we’re focused on creating products like the Cintiq Pro 16 and new Cintiq Pro 27 that make the lives of on-set film and TV professionals easier, as we have with animators and illustrators for years.
The best Wacom products for cinematography:
Wacom Cintiq Pro 16 Pen Display
All the control and power you need in our most compact size, the Wacom Cintiq Pro 16 fits perfectly on a DIT cart. DITs can use the Pro Pen 2 to precisely mark or highlight areas when working with Directors on-set.
Wacom Cintiq Pro 27 Pen Display
This brand-new, professional-level pen display is Wacom’s first product tailored for virtual production filmmaking. The Cintiq Pro 27 is our brightest and most color-accurate display yet – allowing it to be used on-set for color reference.
Wacom Intuos Pro
This super-slim, compact pen tablet is a joy to use and is built to last. Comes in a variety of sizes for any application, and the built-in ExpressKeys mean it’s completely customizable for any workflow, no matter what software you use. Plus, the ergonomics for long days of scene reviews and edits far exceed a mouse.
About the author
Erica Tafavoti is the Business Development Marketing Manager at Wacom. In her 8+ years as a professional marketer in tech, she’s worked on teams big and small, dabbling in just about every form of digital marketing along the way. Outside of work, you can find her exploring the great outdoors of the Pacific Northwest, spending time with her rescue dog, Chuy, or taking photos of her brunch.